Floaty Floral Réglisse Dress

Réglisse by knitahedron / Áine Ryan

This project was a whole load of firsts for me! First time sewing with slippy, sheer fabric. First time lining a garment. First time working on the bias. First time matching prints. Phew! It was a steepish learning curve but well worth it. Réglisse by Deer & Doe is a breeze to sew and even easier to wear. It took me a bit of time only because of my ‘ambitious’ (for me) choice of fabric.

Réglisse by knitahedron / Áine Ryan

I bought the fabric (once again) last Summer in the local department store sale. Despite it’s synthetic (I think) content, I was just completely drawn to it. Of course then it languished in my fabric drawer for nearly a year, waiting for me to build up the courage to attempt to sew it and / or find a suitable pattern. I don’t recall what the label on the bolt said, but a flame test confirmed it’s plasticy content! It’s a very light, sheer, loose woven polyester chiffon with a crinkle.

I had my eye on Réglisse since its release, but was nervous about the full skirt. I held back on buying the pattern until a number of other, braver souls had tried it out. Looking through all the finished dresses in the Deer & Doe Flickr group, especially after the Réglisse sew-along, I knew my fears were unjustified. Réglisse looks amazing on all body shapes and especially in light, drapey fabrics. I think it was Eléonore’s wedding dress version that finally convinced me! Realising that the polyester chiffon would be perfect I hesitated no more!

But first, a muslin!

Réglisse by knitahedron / Áine Ryan

The muslin is made up in a unbleached cotton (Ikea’s Bomull – top tip for muslin fabric!). Heavier than the lined chiffon, but sufficient to test general fit. Having previously made Sureau in size 38, and realising now that it was a smidge too small, I checked the pattern piece measurements for size 40. Given that it’s a loose fitting dress, without a zip, I decided that size 40 would be perfect. I sewed up the muslin super quick and then nervously tried it on. Any sewer will know that feeling – you’ve spent hours and possibly many monies on sewing a garment, only to try it on a realise that it just looks awful on you! No such sinking feelings here! It looked great and the skirt wasn’t too puffy on my hips! I did decide however, to remove the cap sleeves and the tie from the collar, because I thought they looked a little too girly on me, especially since the fabric was already pretty feminine and floaty. 🙂

Réglisse by knitahedron / Áine Ryan

Now to the scary part – cutting out slippy fabric. Turned out to be a breeze with my rotary cutter and many cans of tinned beans as weights! What was going to be tricky though, was matching the print. At first I thought that the print was small enough to avoid doing that, but then I noticed how the flowers were in stripes, so given the central seams, I realised i was necessary. On the first attempt I matched the pattern beautifully to give a continuous pattern, only to realised what I wanted was chevrons… The crinkle in the fabric caused some problems with stretching and when two pieces were matched up pattern wise, there weren’t actually the same size. Argh! I got there in the end, and although it’s not perfect, I’m pleased with the results.

Réglisse by knitahedron / Áine Ryan

Next up – choice of lining. There was no way I was going to line such a lovely dress with icky acetate lining, so my original plan was to line it with a 100% viscose or cupro lining fabric. In the end, during this summer’s local department store fabric sale binge shop, I found some lovely, light cotton fabric in an off white. It was labelled ‘Gewebe’ which is somewhat ambiguous – my online dictionary translates it as anything from simply ‘woven’ or ‘fabric’ to more specifically ‘gauze’ or ‘mesh’. It’s certainly a ‘blouse’ fabric, and probably similar to lawn. Either way, it was light enough to use as a lining and the right colour!

Réglisse by knitahedron / Áine Ryan

I decided, given the sheerness of the fabric, combined with the darts and the centre seams, to ‘interline’ the bodice. In other words, I treated the layered fabric and lining as one piece of fabric and seamed them all together. To do this, I basted each pattern piece of the bodice and waist band in the chiffon to it’s corresponding piece in lining. I didn’t do this for the skirt, in order to keep the two skirts separate for free swishing and so that they would hang better. I then sewed everything together with french seams.

Réglisse by knitahedron / Áine RyanThe armholes and hem are finished with homemade bias binding from the lining fabric. I removed the tie ends from the collar and sewed the ends into the centre seam. If I did this again I would cut the collar on the fold at this front point and have the seam at the back, so that the front point was all one piece and not attached to the bodice. I did scoop some fabric from the armholes and shoulder yokes to make them narrower, but I think I needed to take more from the yokes. The armholes are a bit gapey, but that’s not obvious in the pics thanks to my strategically positioned arms. 😉 You’ll notice that the waistband isn’t very gathered in my version. I tried it out with having the elastic shorter, but whilst the pulled in waist looked better, it made the skirt sit higher on my hips puff out a bit too much for my taste.

Réglisse by knitahedron / Áine Ryan

All in all, an awesome pattern. The loose fit makes it summery and feminine and the zip-free, chuck it over your head construction makes it so comfy and easy to wear! I’m currently searching for the perfect fabric for an autumn / winter version.

Floral Jersey Burda Dress

I actually made this dress last Summer, but it has been packed away since last September or so and has been optimistically unearthed for this ‘Summer’.

Jersey Burda Dress by knitahedron

The pattern comes from the June 2010 issue of Burda Style magazine, but the photo in the mag doesn’t show the shape of the dress so well, so I had to rely on the technical drawing.

BM1006_burdasty_1__1_188_original_large June_109_tech_drawing_large

I quite liked the look of it nonetheless, and although the featured fabric was no longer available I had been lusting over the fabric I did use for some time. I spotted it early in the Summer on the My Stoffe site, but wasn’t in a position to buy it straight away, so I kept nervously checking the site to check that it hadn’t sold out! Eventually, I bought it, at which time it was a reduced remnant. Yay! It a light / medium weight viscose jersey with no manufacturer details, but I suspect it may be from Hilco or Toptex.Jersey

The pattern is actually described as a ‘Jersey Body-Con Dress’, but you can clearly see that my version is quite loose-fitting. This was from the days where I followed the manufacturer’s sizing rather than actually measuring the patterns pieces to compare to my own measurements. I may make another, slimmer fitting model this year.

Jersey Burda Dress by knitahedron

It was my first time sewing with jersey, and I was initially nervous. I don’t own an overlocker, so I reinforced the seams with iron-on seam reinforcer as per the instructions and used the ‘stretch stitch’ on my Janome. That all worked out fine, and I wore the dress loads last Summer. So comfy and very cool on hot days. (Here’s hoping!)

Summertime Sureau

Ok, so the title of the post is more hopeful than anything else. The weather here in our corner of Germany is still far from summery nevermind even springlike, but we’ll get there… 🙂

Sleeveless Sureau by knitahedron

Deer & Doe patterns are just so lovely. A perfect blend of feminine pieces that aren’t too fussy and are easily dressed up or down. I’m pretty late to the Sureau party and you can find so many beautiful interpretations on the Addicts blog (in French) or in the Flickr group.

Since I’m in Germany, I ordered my pattern directly from the Deer & Doe site, and within a day or two this beautiful envelope winged its way from Eléonore’s studio in Paris.

Sureau Pattern Envelope by knitahedron

I couldn’t find a zip with a good colour match so I went with mint for contrast. Zips still remain my nemesis, but yesterday I read (somewhere…) about this free class on Craftsy on zippers. Must watch before my next attempt!

The buttons were originally self-covered, but I nabbed them for my Peter Pan Blouse after I couldn’t find anything suitable for that. I would have preferred if the buttons and zip were closer in colour, but I’m still pleased with the outcome.

Sleeveless Sureau by knitahedron

My original plan was to make the dress with short sleeves, but when I tried it on during construction, I quite liked how it looked sleeveless. The fabric is very light too and I realised it was really going to be a ‘very warm day’ (fingers crossed and thumbs pressed…) dress, and so sleeveless was best.

Just like my Sleeveless Floral Shirt, I chose to face the armholes rather than make binding. Since the decision to go sleeveless happened after constructing the main body of the dress, I now have multiple facings to attach… Next time, if I goes sleeveless again, I’ll face the entire bodice at once.

When I made up the muslin to check the fit, the skirt was a bit too full and puffy for my hips, so I reduced it by pinching 2″ out of the centre of the skirt pieces. It still retains some of the original lines with the gathers whilst being a little more streamlined.

Sleeveless Sureau by knitahedron

The fabric is a very light woven viscose, from an unknown manufacturer, that I bought in my local Karstadt department store. I reinforced the seams with iron-on seam interfacing.

I like how it looks with this mustardy belt, but it’s obviously too loose for the (sucks in tummy…) *just fits* natural waist ;). Also, if I look like a crazy person in the photo below, it’s because I am – I was, um ‘interacting’ with the cat… Sleeveless Sureau by knitahedronThanks for reading! Do please visit Deer & Doe for more gorgeous patterns.